KSM44 Large Dual-Diaphragm Microphone
The KSM44 is a premium multi-pattern side-address condenser microphoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.
Read moreGo to the glossary with large dual-diaphragms for precise articulation. The KSM44 provides exceptional flexibility and a tailored response for critical vocal tracking.
Read moreGo to the glossary with large dual-diaphragms for precise articulation. The KSM44 provides exceptional flexibility and a tailored response for critical vocal tracking. Where to buy
Demo-Sound Player
- Description
- Features
- Specs
- Downloads
- In the box
What is the KSM44 best suited to?
As a multiple pattern (cardioid, omnidirectionalEqually sensitive to sound from all directions, but cannot be "aimed" to isolate one area.Read moreGo to the glossary, bidirectional) condenser microphoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary the KSM44 offers great flexibility in a variety of recording applications. It is designed as a premium vocal microphone for studio recording but additional recommended applications include:
- Acoustic and wind instruments,
- Low frequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles - choral or orchestral
What characteristics can I expect when using a KSM44?
Typical characteristics include extended frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary , very low self-noiseElectrical noise in a system that is produced by the electronics in the system itself.Read moreGo to the glossary with a very high input SPL capability.
- Dual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar® diaphragms provide superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion; Minimizes harmonic distortions
- Full-range frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary (20 Hz - 20 KHz) for an extremely accurate reproduction of voice and instruments
- Extremely low self noise (7 dBA) for critical studio vocal recording
- Premium electronic components and gold-plated internal and external connectors
- Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
- 15 dB attenuation switch for handling high input SPL sound sources
- 3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectWith a directional mic, more bass is added when the mic is closer to the sound source.Read moreGo to the glossary
- Durable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse
- Uniform polar response provides natural off-axis response for critical recording
- An integrated three-stage pop protection grille to guard against wind and breath noise
- An internal shock mount to reduce unwanted handling and stand noise
- Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.
Read moreGo to the glossary : CondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary
- Polar Pattern"Polar pattern" describes how well the microphone “hears“ sound from different directions.Read moreGo to the glossary: OmnidirectionalEqually sensitive to sound from all directions, but cannot be "aimed" to isolate one area.Read moreGo to the glossary, BidirectionalPicks up sound equally from in front and behnd the microphone.Read moreGo to the glossary, CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary
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Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary:
20 Hz
- 20 kHz
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SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz):
Cardioid -31 dBV/Pa; Omnidirectional: -37 dBV/Pa; Bidirectional -36 dBV/Pa
- Equivalent Selfnoise:
- Cardioid: 7 dB(A)
- Omnidirectional: 10 dB(A)
- Bidirectional: 10 dB(A)
- Sound Pressure:
- Cardioid:
- Pad off: 132 dB
- Pad on: 149 dB
- Omnidirectional:
- Pad off: 138 dB
- Pad on: 151 dB
- Bidirectional:
- Pad off: 137 dB
- Pad on: 150 dB
- Cardioid:
- Weight: 490,5 g
- FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary Repsonse Curve:
User Guides
- Shurelock™ Champagne Elastic Shock Mount (Part No: A44SM)
- Shurelock Champagne Swivel Adapter (Part No: A44M)
- Aluminium Carrying Case (Part No: A44SC)
- Protective Velveteen Pouch (Part No: A44VB)
