Product comparison

back
forward
 from 6 products
Dynamic
Cardioid
 
Clear
Info

Best suited to:
Snare, Toms, Electric Guitar, Percussion

Also great for:
Brass

Highly versatile cardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary dynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary mic for clean reproduction of amplified and acoustic instruments, ideal for sound reinforcement and recording.
Add to comparison Go to comparison

Freq. response:

40 Hz -15 kHz

Sensitivity

-54,5 dBV/Pa (1,88 mV/Pa)

Dynamic
Supercardioid
 
Clear
Info

Best suited to:
Snare, Toms, Electric Guitar, Percussion

Also great for:
Strings, Brass

Precision-engineered dynamic microphoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary designed for detailed reproduction of amplified or acoustic instruments.
Add to comparison Go to comparison

Freq. response:

50 Hz -16 kHz

Sensitivity

-51 dBV/Pa (2,8 mV/Pa)

Condenser
Cardioid
 
Clear
Info

Best suited to:
Speech, Acoustic Guitar, Strings, Brass

Also great for:
Vocals, Hihat, Overhead, Further acoust. instr.

The PG27 side-address cardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary condenser microphoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary was designed with a flat frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary for natural reproduction in instrument and vocal recording applications.
Add to comparison Go to comparison

Freq. response:

20 Hz -20 kHz

Sensitivity

-41 dBV/Pa (8.9 mV/Pa)

Condenser
Cardioid
 
Clear
Info

Best suited to:
Vocals, Brass

Also great for:
Bass Drum, Electric Guitar, Bass

Rugged and versatile large-diaphragm, side-address cardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary condenser microphoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary, with premium components for stage and studio
Add to comparison Go to comparison

Freq. response:

20 Hz -20 kHz

Sensitivity

-37 dBV/Pa (14,1 mV/Pa)

Condenser
Supercardioid

No sound demo

Best suited to:
Electric Guitar, Hihat, Overhead, Brass, Piano

Also great for:
Vocals, Bass Drum

The Beta 27 is a side address condenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary supercardioidPicks up most sound in front of the microphone and very little from the sides, making it more directional than a cardioid mic. Read moreGo to the glossary microphone precision engineered for professional sound reinforcement
Add to comparison Go to comparison

Freq. response:

20 Hz -20 kHz

Sensitivity

-37 dBV/Pa (14,1 mV/Pa)